While YouTube tutorials can be made by anyone and only offer a video, Syntorial is made by a professional musician and includes exercises, quizzes, and a built-in synth that can be used directly in your DAW. The software is a downloadable program that features many interactive elements and other unique features. He learned how to code, hit his fundraising goal, and a year later, Syntorial was born. Founder Joe Hanley is a graduate of the Berklee College of Music and was frustrated by his early struggles in learning synthesis. Syntorial was first conceived via a Kickstarter campaign back in 2012. One of the options that is well worth your money is Syntorial. Have you spent endless hours watching YouTube tutorials trying to understand synthesis but are unsatisfied with your progress? While the free videos available across the internet can be extremely helpful, I’ve found there’s real value in learning electronic music production online through programs and lessons available for purchase. Here’s the ugly truth: if you don’t know how to wield the power of a synth LFO effectively, then you are not making world-class sounds.Syntorial takes a hands-on approach to teaching sound design and synthesizers and it’s useful for both experienced musicians and absolute beginners. You need to learn not only what an LFO is and what it does but also where it goes, how much it goes there, and many more details which aren’t immediately apparent. Download the demo of Syntorial here so you can follow along and master your synth. There are few thing you need to keep in mind about making your sounds evolve over time. One is that your sticky human fingers are not very accurate in turning knobs. Another is that, since it takes at least one hand to move one parameter, you are physically limited as to how many things you can change at once. Luckly you have synth LFO available to you. What is an LFO? LFO stands for Low Frequency Oscillator. But didn’t I just cover low frequency oscillators in my sub oscillator video? Since I know you’ve been following along with this Easy Synth Programming series, you by now know what a a low frequency is as well as an oscillator. The difference between a sub oscillator and an LFO is that you can hear one directly and the other you only hear indirectly. Both can play very low frequencies but, typically and as the name suggests, an LFO usually plays lower. How low exactly? As you probably know, humans have a rule-of-thumb hearing range of 20 cycles per second all the way to 20,000 cycles per second. Whereas a sub oscillator will usually stay within that bottom range, a synth LFO goes even slower. An LFO can even have a cycle period of over an actual second. Since there’s no way to hear something that low then it makes sense you can’t usually hear an LFO directly. The way a synth LFO works is by, essentially, turning knobs and moving sliders on your behalf. They can do this as fast or slow as you’d like (within reason), as much or as little, but far more accurately.Īnother great thing about them is they solve the old ‘two-handed’ dilemma that people face. Though we only have one hand with which to play and another to turn knobs, many LFOs can be made to effect multiple destinations. It’s like a modulation bonanza! Lines and Spheresīut what is the difference between a synth LFO and a modulation envelope? The main difference is that most ADSR envelopes are linear. They start in one place and end at another. Whereas envelopes go on a journey, just like mail does with the postal service, an LFO is more like a loop which keeps on spinning. So how do you implement a synth LFO then? I’m going to go over two ways in which you can make this happen. In the first way, I’m going to use Syntorial’s Primer VST instrument which is included when you download the program. The second example I’m going to show you is going to use Native Instrument’s venerable Massive synthesizer.
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